{"id":5500,"date":"2026-10-06T14:47:55","date_gmt":"2026-10-06T12:47:55","guid":{"rendered":"https:\/\/www.cie-niya.com\/?page_id=5500"},"modified":"2026-10-06T16:40:58","modified_gmt":"2026-10-06T14:40:58","slug":"hand-in-cap","status":"publish","type":"page","link":"https:\/\/www.cie-niya.com\/en\/creations\/hand-in-cap\/","title":{"rendered":"Hand in Cap"},"content":{"rendered":"<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Anton&#038;family=Poppins:wght@300;400;500;600&#038;display=swap\" rel=\"stylesheet\">\n<style>\n.l-section:has(.niya-sp){padding:0!important}\n.l-section-h:has(.niya-sp){max-width:none!important;padding:0!important}\n.niya-sp{--ch:#141414;--cr:#F4F1EC;--br:#E4572E;--ac:#8A8F98;width:100%;background:var(--ch);color:var(--cr);font-family:Poppins,sans-serif;font-weight:300;line-height:1.75}\n.niya-sp,.niya-sp *{box-sizing:border-box;margin:0;padding:0}\n.niya-sp a{color:inherit;text-decoration:none}\n.niya-sp h1,.niya-sp h2,.niya-sp 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style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2019\/02\/hand-e1674919408801.jpg')\"><div class=\"w\"><div class=\"k\">Solo by Jimmy Omo\u00ef \u00b7 Choreography by Rachid Hedli<\/div><h1>Hand in Cap<\/h1><p class=\"tag\">\u201cWill I ever walk again\u2026 Could I run, jump, dance? No, just walk\u2026\u201d<\/p><div class=\"chips\"><span>Solo<\/span><span>35 min<\/span><span>All audiences<\/span><span>Ages 6+<\/span><\/div><\/div><\/section>\n<section class=\"b\"><div class=\"w txt\"><div><div class=\"k\">The show<\/div><h2>The body\u2019s constraint becomes a language<\/h2><p>In a tight playing space, Jimmy Omo\u00ef develops a captivating, dexterous movement vocabulary made of waves and pulses. He tells of the body\u2019s constraints through dance, narrates his immobility through movement, and evokes his differences and particularities.<\/p><p>Through a play of double perspectives, he stages his own story and reveals, with restraint, how an immobilised body that only longs to express itself confronts the world. He hands the floor to the audience and opens a dialogue about how we relate to others, especially to those who do not fit the norm.<\/p><blockquote>\u201cJimmy\u2019s physical radicality is striking proof that this is in no way a demonstration, but a genuine proposal of choreographic creation.\u201d<cite>Philippe Guisgand, dance researcher, University of Lille<\/cite><\/blockquote><p><b>In creation for 2027:<\/b> a second part, <i>Entre Deux \u2013 Syst\u00e8me D<\/i> (working title), about invisible disability.<\/p><\/div><dl class=\"fiche\"><dt>Format<\/dt><dd>Dance solo<\/dd><dt>Performer<\/dt><dd>Jimmy Omo\u00ef<\/dd><dt>Duration<\/dt><dd>35 minutes<\/dd><dt>Audience<\/dt><dd>All audiences, ages 6+<\/dd><dt>Venues<\/dt><dd>Created for indoor stages, adaptable outdoors<\/dd><\/dl><\/div><\/section>\n<section class=\"video\"><div class=\"w\"><div class=\"k\">Teaser<\/div><h2>Watch an excerpt<\/h2><div class=\"ratio\"><iframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/ZyYBmAnOeLc\" title=\"Teaser Hand in Cap\" allow=\"accelerometer; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen loading=\"lazy\"><\/iframe><\/div><\/div><\/section>\n<section class=\"b clair\"><div class=\"w cols\"><div><div class=\"k\">Team<\/div><h2>Cast<\/h2><ul><li>Choreography: Rachid Hedli<\/li><li>Performer: Jimmy Omo\u00ef<\/li><li>Musical composition: Mattis Dupond Bianchi<\/li><li>Photos: Chlo\u00e9 Besnard<\/li><li>Support: CCN de Roubaix, Le Flow (City of Lille), Le 9-9bis, M\u00e9taphone, Nord Department<\/li><\/ul><\/div><div><div class=\"k\">Around the show<\/div><h2>Book the show<\/h2><p>Talking about difference, dance workshops for all audiences, meetings between pupils and disability sports clubs or medical facilities, impromptu dance moments: the show never leaves anyone indifferent, and hope, resilience and joy run through these encounters.<\/p><div style=\"margin-top:24px\"><a class=\"btn pl\" href=\"mailto:contact@cie-niya.com?subject=Hand%20in%20Cap\">Contact us<\/a><a class=\"btn li\" href=\"https:\/\/drive.google.com\/file\/d\/1GNrB3W5Jp0NC0BpCLZcCOu4ofVB0sDEP\/view\" target=\"_blank\">Show pack<\/a><\/div><\/div><\/div><\/section>\n<section class=\"b\"><div class=\"w\"><div class=\"k\">Repertoire<\/div><h2>Other creations<\/h2><div class=\"autres\"><a ref=\"magnificPopup\" href=\"https:\/\/www.cie-niya.com\/en\/creations\/danse-et-toile\/\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2026\/10\/cie-niya-danse-et-toile-paysage.jpg')\"><b>Danse &#038; Toile<\/b><\/a><a ref=\"magnificPopup\" href=\"https:\/\/www.cie-niya.com\/en\/creations\/gueules-noires\/\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2017\/01\/31c1821b-5027-4da1-ae59-3a21a08386a2.jpg')\"><b>Gueules noires<\/b><\/a><a ref=\"magnificPopup\" href=\"https:\/\/www.cie-niya.com\/en\/creations\/resurgences\/\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2018\/11\/Cie-Niya-Resurgences-by-Homardpayette-4-sur-105-scaled-e1674921001490.jpg')\"><b>R\u00e9surgences<\/b><\/a><a ref=\"magnificPopup\" href=\"https:\/\/www.cie-niya.com\/en\/creations\/du-bronx-aux-jo\/\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2026\/10\/cie-niya-du-bronx-aux-jo.jpg')\"><b>Du Bronx aux JO<\/b><\/a><\/div><div style=\"margin-top:30px\"><a class=\"btn li\" href=\"https:\/\/www.cie-niya.com\/en\/creations\/\">All creations<\/a><\/div><\/div><\/section>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Solo de Jimmy Omo\u00ef \u00b7 Chor\u00e9graphie Rachid Hedli Hand in Cap \u00ab Pourrais-je remarcher un jour\u2026 Pourrais-je courir, sauter, danser ? Non, juste marcher\u2026 \u00bb Solo35 minTout publicD\u00e8s 6 ans Le spectacle La contrainte du corps devient langage Dans un espace de jeu resserr\u00e9, Jimmy Omo\u00ef d\u00e9veloppe une gestuelle \u00e0 la dext\u00e9rit\u00e9 captivante, faite d\u2019ondulations&#8230;<\/p>","protected":false},"author":1,"featured_media":0,"parent":5486,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5500","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/comments?post=5500"}],"version-history":[{"count":6,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5500\/revisions"}],"predecessor-version":[{"id":5577,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5500\/revisions\/5577"}],"up":[{"embeddable":true,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5486"}],"wp:attachment":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/media?parent=5500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}