{"id":5486,"date":"2026-10-06T14:47:51","date_gmt":"2026-10-06T12:47:51","guid":{"rendered":"https:\/\/www.cie-niya.com\/?page_id=5486"},"modified":"2026-10-06T16:40:30","modified_gmt":"2026-10-06T14:40:30","slug":"creations","status":"publish","type":"page","link":"https:\/\/www.cie-niya.com\/en\/creations\/","title":{"rendered":"Creations"},"content":{"rendered":"<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Anton&#038;family=Poppins:wght@300;400;500;600&#038;display=swap\" rel=\"stylesheet\">\n<style>\n.l-section:has(.niya-maq){padding:0!important}\n.l-section-h:has(.niya-maq){max-width:none!important;padding:0!important}\n.niya-maq{--charbon:#141414;--creme:#F4F1EC;--braise:#E4572E;--acier:#8A8F98;width:100%;background:var(--charbon);color:var(--creme);font-family:Poppins,sans-serif;font-weight:300;line-height:1.7}\n.niya-maq, .niya-maq *{box-sizing:border-box;margin:0;padding:0}\n.niya-maq a{color:inherit;text-decoration:none}\n.niya-maq h1,.niya-maq h2,.niya-maq 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.atouts{grid-template-columns:1fr}\n}\nbody:has(.niya-maq),body:has(.niya-sp),body:has(.niya-legal){--color-header-middle-text-hover:#E4572E;--color-header-top-text-hover:#E4572E;--color-header-transparent-text-hover:#E4572E}\n.l-header .w-nav-anchor:hover,.l-header .current-menu-item>.w-nav-anchor{color:#E4572E!important}\n<\/style>\n<div class=\"niya-maq\">\n<section class=\"intro\"><div class=\"in\">\n<div class=\"kicker\">Repertoire<\/div>\n<h1>The creations<\/h1>\n<p>Working-class history, disability, the history of hip-hop, dialogue with live music: each creation by Compagnie Niya calls on sensitivity and humanity. Shows for all audiences, which can be accompanied by talks, workshops or an educational programme.<\/p>\n<\/div><\/section>\n<div class=\"in\">\n<div class=\"filtres\"><span class=\"on\">All<\/span><span>Live music<\/span><span>Solo<\/span><span>Danced lecture<\/span><span>Off-stage<\/span><\/div>\n<section class=\"grille\">\n<div class=\"carte large\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2026\/10\/cie-niya-danse-et-toile-paysage.jpg')\">\n<span class=\"badge\">New creation<\/span>\n<div class=\"txt\">\n<h2>Danse &amp; Toile<\/h2>\n<div class=\"meta\">4 dancers \u00b7 1 pianist \u00b7 40 min \u00b7 all audiences<\/div>\n<p>Compagnie Niya declares its love for live music. Four dancers move between the raw power of hip-hop and the finesse of contemporary writing, carried by the notes of pianist Tarik Salhi.<\/p>\n<div class=\"liens\"><a href=\"https:\/\/www.cie-niya.com\/en\/creations\/danse-et-toile\/\">Discover \u2192<\/a><a href=\"https:\/\/drive.google.com\/file\/d\/1DqmHXSO0f2CRrccgzFoitEOb-F55uQlT\/view\" target=\"_blank\">Show pack<\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"carte large\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2017\/01\/31c1821b-5027-4da1-ae59-3a21a08386a2.jpg')\">\n<div class=\"txt\">\n<h2>Gueules noires<\/h2>\n<div class=\"meta\">4 dancers \u00b7 1 musician \u00b7 1 h \u00b7 all audiences<\/div>\n<p>A danced tribute to the miners of northern France. Rachid Hedli draws on working-class history, and on that of his father, a miner, to pass on through the body the collective memories of our heritage. Neither victims nor heroes.<\/p>\n<div class=\"liens\"><a href=\"https:\/\/www.cie-niya.com\/en\/creations\/gueules-noires\/\">Discover \u2192<\/a><a href=\"https:\/\/www.youtube.com\/watch?v=dfwr_njmre8\" target=\"_blank\">&#x25b6; Teaser<\/a><a href=\"https:\/\/drive.google.com\/file\/d\/1Tii0XvilreGWnU13Jc1Y0sMmUUIqqxjt\/view\" target=\"_blank\">Show pack<\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"carte\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2018\/11\/Cie-Niya-Resurgences-by-Homardpayette-4-sur-105-scaled-e1674921001490.jpg')\">\n<div class=\"txt\">\n<h2>R\u00e9surgences<\/h2>\n<div class=\"meta\">4 dancers \u00b7 4 live musicians \u00b7 60 min<\/div>\n<p>When music becomes a playing partner, dance takes on another dimension. An organic piece where bodies resonate with music played live: unique at every performance.<\/p>\n<div class=\"liens\"><a href=\"https:\/\/www.cie-niya.com\/en\/creations\/resurgences\/\">Discover \u2192<\/a><a href=\"https:\/\/www.youtube.com\/watch?v=pL-TUUkeWXI\" target=\"_blank\">&#x25b6; Teaser<\/a><a href=\"https:\/\/drive.google.com\/file\/d\/1g5oiIa81Ti2xBJYRIPIQ_I3yktzhs1wR\/view\" target=\"_blank\">Show pack<\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"carte\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2026\/10\/cie-niya-du-bronx-aux-jo.jpg')\">\n<div class=\"txt\">\n<h2>Du Bronx aux JO<\/h2>\n<div class=\"meta\">3 to 5 dancers + DJ \u00b7 Show 1 h \u00b7 Lecture 1 h 30 to 2 h<\/div>\n<p>From a basketball court in the Bronx to the Olympic Games: demonstrations, stories, audience interaction and live performances to tell the history and codes of hip-hop.<\/p>\n<div class=\"liens\"><a href=\"https:\/\/www.cie-niya.com\/en\/creations\/du-bronx-aux-jo\/\">Discover \u2192<\/a><a href=\"https:\/\/drive.google.com\/file\/d\/1D8LilLOCtRLokheJ0jIEsg0vSoeW2ElE\/view\" target=\"_blank\">Show pack<\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"carte\" style=\"background-image:url('https:\/\/www.cie-niya.com\/wp-content\/uploads\/2019\/02\/hand-e1674919408801.jpg')\">\n<div class=\"txt\">\n<h2>Hand in Cap<\/h2>\n<div class=\"meta\">Solo by Jimmy Omo\u00ef \u00b7 35 min \u00b7 ages 6+<\/div>\n<p>\u201cWill I ever walk again\u2026\u201d Jimmy Omo\u00ef tells of the body\u2019s constraints through dance and reveals, with restraint, how an immobilised body that only longs to express itself confronts the world.<\/p>\n<div class=\"liens\"><a href=\"https:\/\/www.cie-niya.com\/en\/creations\/hand-in-cap\/\">Discover \u2192<\/a><a href=\"https:\/\/www.youtube.com\/watch?v=ZyYBmAnOeLc\" target=\"_blank\">&#x25b6; Teaser<\/a><a href=\"https:\/\/drive.google.com\/file\/d\/1GNrB3W5Jp0NC0BpCLZcCOu4ofVB0sDEP\/view\" target=\"_blank\">Show pack<\/a><\/div>\n<\/div>\n<\/div>\n<\/section>\n<div class=\"encours\">\n<div class=\"an\">2027<\/div>\n<div>\n<div class=\"kicker\">In creation<\/div>\n<h3>Entre Deux \u2013 Syst\u00e8me D <span style=\"font-family:Poppins;font-size:14px;text-transform:none;color:var(--acier)\">(working title)<\/span><\/h3>\n<p>The second part of Hand in Cap, about invisible disability: what others fail to see. Popping, with its sharp stops and muscular pulses, becomes the metaphor for a silent struggle.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<section class=\"prog\" id=\"programmer\"><div class=\"in\">\n<div class=\"kicker\">Programmers, cultural venues<\/div>\n<h3>Book a show<\/h3>\n<div class=\"atouts\">\n<div><h4>For everyone<\/h4><p>Shows accessible to families, schools and people with disabilities. Culture is universal.<\/p><\/div>\n<div><h4>A unique experience<\/h4><p>Each performance can be accompanied by discussion time, outreach workshops or a co-designed educational programme.<\/p><\/div>\n<div><h4>Fully self-sufficient<\/h4><p>The company can handle all technical aspects from A to Z: sound, lighting, set-up and adaptation for off-stage formats.<\/p><\/div>\n<\/div>\n<p class=\"aide\">Our shows are approved (or being re-approved) under the<b>Nord Department\u2019s Touring Support scheme (Aide \u00e0 la Diffusion)<\/b>, which provides direct financial support to host venues.<\/p>\n<div class=\"btns\"><a class=\"btn plein\" href=\"mailto:contact@cie-niya.com\">Contact us<\/a><a class=\"btn ligne\" href=\"mailto:contact@cie-niya.com?subject=Demande%20du%20dossier%20de%20diffusion\">Request the touring pack<\/a><\/div>\n<\/div><\/section>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>R\u00e9pertoire Les cr\u00e9ations Histoire ouvri\u00e8re, handicap, histoire du hip-hop, dialogue avec la musique live : chaque cr\u00e9ation de la Compagnie Niya convoque le sensible et l&rsquo;humain. Des spectacles tout public, qui peuvent \u00eatre accompagn\u00e9s d&rsquo;\u00e9changes, d&rsquo;ateliers ou d&rsquo;un parcours p\u00e9dagogique. ToutesMusique liveSoloConf\u00e9rence dans\u00e9eHors plateau Nouvelle cr\u00e9ation Danse &amp; Toile 4 danseurs \u00b7 1 pianiste \u00b7&#8230;<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5486","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/comments?post=5486"}],"version-history":[{"count":11,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5486\/revisions"}],"predecessor-version":[{"id":5581,"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/pages\/5486\/revisions\/5581"}],"wp:attachment":[{"href":"https:\/\/www.cie-niya.com\/en\/wp-json\/wp\/v2\/media?parent=5486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}